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Online Music Streaming Market Analysis- Industry Size, Share, Research Report, Insights, Covid-19 Impact, Statistics, Trends, Growth and Forecast 2022-2030

Published Date: July, 2022
No of Pages: 175
Delivery Format: PDF + Excel

$2,950.00

The global online music streaming market was valued at $12.831.2 million in 2019. It is expected to grow to $24,711.3million by 2027. This will represent a 9.8% annual growth rate from 2021-to 2027.

Online music streaming allows you to stream music and sound without downloading files. Technically, servers like Pandora and Spotify send information (raw files) to individual music streaming devices immediately after compressing it.

Due to the popularity of digital platforms like Spotify, Amazon Music, and Deezer, online music streaming has seen significant growth over the past few years. The online music streaming market is also positively impacted by the increase in internet penetration worldwide. Online music streaming services also allow users to stream audio and video songs, podcasts, and live performances by artists. Some of the features offered by online music streaming services include song recommendations and customized playlists. They also offer easy access to music via both the browser and app. The rise in popularity of podcasts has attracted consumers’ attention recently, which is expected to drive the global online streaming music market over the forecast period.

Due to the increasing popularity of online music streaming, both consumers and creators, the global online streaming music market will grow at an impressive pace. The introduction of online music streaming platforms like Spotify, Pandora, and Apple Music has significantly reduced the risk of music piracy activity via the internet. To establish their global presence, music labels like Universal Music Publishing Group, Warner Music Entertainment, and Island Records are investing heavily in artists. These factors will all be instrumental in driving the growth of global online music streaming markets over the next few years. The growth of the global online music streaming industry will be boosted by the introduction of 5G, virtual reality, artificial intelligence, and machine learning.

The COVID-19 pandemic is driving global online music streaming. This can be attributed to the government’s strict lockdown to stop the spread of the virus. People were forced to stay home, leading to increased use of online music services and adoption. Certain behavioral changes were seen among consumers during the initial phase of the pandemic. Tencent Music Entertainment reports that music streaming was more popular using T.V.s than smartphones during the lockdown. There has been an increase in subscribers to various platforms like Spotify, Tencent Music Entertainment, and Amazon Music. The U.S. was streaming more video content than audio content. The video segment saw an increase in popularity due to the pandemic. COVID-19 positively affected the growth and popularity of online music streaming.

The market for online music streaming is segmented by service, revenue model, and platform. End users can also be categorized. Content type and Region are some other segments. The market can be divided into live streaming and on-demand streaming based on service. It is divided into two revenue models: subscription- and non subscription-based. It is divided into browser and app, depending on the platform. It can be divided into commercial and individual, depending on the end-user. It is divided into audio and video content according to its content type. It is analyzed across North America (the U.S. and Canada), Europe (the U.K. and Germany, France and Spain), Asia-Pacific, China, Japan, India, and South Korea and the rest of Asia-Pacific), and LAMEA (Latin America and the Middle East and Africa).

The online music streaming market forecast shows that the service segment of on-demand streaming was the largest contributor. It contributed $9,003.7million in 2019. This market is expected to continue its importance during the forecast period. Due to the ease and convenience of streaming music according to the user’s mood and time, it will continue to be a significant market player. Due to the increased online presence and activities of popular artists, live streaming music is gaining significant penetration.

The subscription model was the most dominant revenue model in 2019. This is due to the huge increase in paid subscribers over the last few years. To attract large customer bases, many players in the global online streaming music market use the non-subscription or freemium models. Spotify is the dominant player in the market and focuses primarily on the subscription model. Pandora, however, is a major player that emphasizes the freemium model.

The app segment dominated the global online music streaming market, depending on its platform. Because of the widespread penetration of smartphones and the internet, the app is the most popular platform to stream online music. To gain the maximum market share, market leaders compete for market share on the browser platform. Apple, Inc., for example, announced that it would launch Apple Music Player for the web in 2020. Browser is, therefore, a highly profitable segment for market players.

End-user data shows that the individual segment had a 76.3% market share in 2019. This is due to the easy access to millions of songs via online streaming services. The individual segment has also seen a rise in popularity due to lifestyle changes such as listening to music while driving, doing chores daily, and exercising. The development of commercial complexes and restaurants, gyms, clubs and malls is expected to drive the commercial segment to a promising level. These commercial spaces all use music streaming services to provide a pleasant environment for their customers.

The audio was the most popular content type. Users listen to music while doing daily chores like walking, running, or exercising. The busy lifestyles of consumers make it easier to access audio content than video content. This has boosted the growth of this audio segment. The video segment is gaining popularity due to the increasing use of short video platforms and over-the-top (OTT).

The global online music streaming market analysis revealed that North America was the dominant market in 2019. It accounted for 38.1% of the online music streaming market. Europe followed close behind. Europe and North America are characterized by high disposable incomes and high demand and music consumption. This makes them attractive markets for online streaming music. Asia-Pacific will show promising growth rates due to an increase in internet penetration and adoption of smartphones, as well as a rise in netizens. LAMEA will experience the fastest growth due to consumers’ increased demand for regional and local songs.

Online Music Streaming Market Report Scope and Segmentation

ATTRIBUTESDETAILS
ESTIMATED YEAR2022
BASE YEAR2021
FORECAST YEAR2030
HISTORICAL YEAR2017-2021
UNITValue (USD Million/Billion)
BY REGIONNorth America, Europe, Asia Pacific, Latin America, Middle East and Africa

The players have developed various strategies to increase their market share and exploit the opportunities in the online music streaming industry. This report profiles the key players in the global online music streaming market: Amazon, Inc., Anghami, Apple, Inc., Deezer, iHeartRadio, NetEase, Inc., Pandora Media, LLC., Spotify AB, Tencent Music Entertainment, and Tidal.

Benefits for Stakeholders

  • This report provides a quantitative analysis of the current trends in online music streaming, estimates, and dynamics of market size between 2019 and 2027 to identify the most promising opportunities.
  • Porter’s Five Forces analysis identifies the potential of buyers and sellers to help stakeholders make profit-oriented business decisions and strengthen their supplier-buyer networks.
  • An in-depth analysis, market size, and segmentation are key factors in determining the current online music streaming market opportunities.
  • Each Region’s major countries are shown on a map according to how much they contribute to the market.
  • The market player positioning segment allows for benchmarking and gives a clear understanding of the current position of market players in online music streaming.

Key Market Segments

By Service

  • On-demand Streaming
  • Live Streaming

Revenue Model

  • Subscribe
  • Non-subscription

By Platform

  • App
  • Use the browser

End-User

  • Individual
  • Commercial

By Content-Type

  • Audio
  • Video

by Region

    • North America
      • US
      • Canada
      • Mexico
    • Europe
      • Germany
      • Italy
      • France
      • UK
      • Spain
      • Poland
      • Russia
      • The Netherlands
      • Norway
      • Czech Republic
      • Rest of Europe
    • Asia Pacific
      • China
      • Japan
      • India
      • South Korea
      • Indonesia
      • Malaysia
      • Thailand
      • Singapore
      • Australia & New Zealand
      • Rest of Asia Pacific
    • South America
      • Brazil
      • Argentina
      • Colombia
      • Rest of South America
    • The Middle East & Africa
      • Saudi Arabia
      • UAE
      • South Africa
      • Northern Africa
      • Rest of MEA

Table of Contents

CHAPTER 1:INTRODUCTION

1.1.Report description
1.2.Key benefits for stakeholders
1.3.Key market segments
1.4.Research methodology

1.4.1.Secondary research
1.4.2.Primary research
1.4.3.Analyst tools and models

CHAPTER 2:EXECUTIVE SUMMARY

2.1.Snapshot
2.2.Key findings

2.2.1.Top investment pocket

2.3.CXO perspective

CHAPTER 3:MARKET OVERVIEW

3.1.Market definition and scope
3.2.Key forces shaping global online music streaming industry/market

3.2.1.Bargaining power of suppliers
3.2.2.Bargaining power of buyers
3.2.3.Thereat of new entrants
3.2.4.Threat of substitutes
3.2.5.Intensity of competitive rivalry

3.3.Market dynamics

3.3.1.Drivers

3.3.1.1.Growing penetration of smartphones, digital platforms, and smart devices
3.3.1.2.Growing fan base of popular artists enhances the revenue growth
3.3.1.3.Aggressive investment by record companies

3.3.2.Restraint

3.3.2.1.Copyright infringement is the major challenge
3.3.2.2.Threat of data privacy and security of databases are major concern

3.3.3.Opportunity

3.3.3.1.Introduction of 5G, artificial intelligence, and machine learning
3.3.3.2.Growing population of internet users in developing nations

3.4.COVID-19 Impact Analysis
3.5.Key Regulations
3.6.Parent-Peer Market Outlook
3.7.Case Study

CHAPTER 4:GLOBAL ONLINE MUSIC STREAMING MARKET, BY SERVICE

4.1.Overview

4.1.1.Market size and forecast

4.2.On-demand streaming

4.2.1.Key market trends, growth factors, and opportunities
4.2.2.Market size and forecast
4.2.3.Market analysis, by country

4.3.Live streaming

4.3.1.Key market trends, growth factors, and opportunities
4.3.2.Market size and forecast
4.3.3.Market analysis, by country

CHAPTER 5:GLOBAL ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL

5.1.Overview

5.1.1.Market size and forecast

5.2.Subscription

5.2.1.Key market trends, growth factors, and opportunities
5.2.2.Market size and forecast
5.2.3.Market analysis, by country

5.3.Non-subscription

5.3.1.Key market trends, growth factors, and opportunities
5.3.2.Market size and forecast
5.3.3.Market analysis, by country

CHAPTER 6:GLOBAL ONLINE MUSIC STREAMING MARKET, BY PLATFORM

6.1.Overview

6.1.1.Market size and forecast

6.2.App

6.2.1.Key market trends, growth factors, and opportunities
6.2.2.Market size and forecast
6.2.3.Market analysis, by country

6.3.Browser

6.3.1.Key market trends, growth factors, and opportunities
6.3.2.Market size and forecast
6.3.3.Market analysis, by country

CHAPTER 7:GLOBAL ONLINE MUSIC STREAMING MARKET, BY END-USER

7.1.Overview

7.1.1.Market size and forecast

7.2.Individual

7.2.1.Key market trends, growth factors, and opportunities
7.2.2.Market size and forecast
7.2.3.Market analysis, by country

7.3.Commercial

7.3.1.Key market trends, growth factors, and opportunities
7.3.2.Market size and forecast
7.3.3.Market analysis, by country

CHAPTER 8:GLOBAL ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE

8.1.Overview

8.1.1.Market size and forecast

8.2.Audio

8.2.1.Key market trends, growth factors, and opportunities
8.2.2.Market size and forecast
8.2.3.Market analysis, by country

8.3.Video

8.3.1.Key market trends, growth factors, and opportunities
8.3.2.Market size and forecast
8.3.3.Market analysis, by country

CHAPTER 9:ONLINE MUSIC STREAMING MARKET, BY REGION

9.1.Overview

9.1.1.Market size and forecast

9.2.North America

9.2.1.Key market trends, growth factors, and opportunities
9.2.2.Market size and forecast, by Service
9.2.3.Market size and forecast, by Revenue Model
9.2.4.Market size and forecast, by Platform
9.2.5.Market size and forecast, by End-user
9.2.6.Market size and forecast, by Content Type
9.2.7.Market size and forecast, by Country

9.2.7.1.U.S.

9.2.7.1.1.Market size and forecast, by service
9.2.7.1.2.Market size and forecast, by revenue model
9.2.7.1.3.Market size and forecast, by Platform
9.2.7.1.4.Market size and forecast, by End-user
9.2.7.1.5.Market size and forecast, by content type

9.2.7.2.CANADA

9.2.7.2.1.Market size and forecast, by service
9.2.7.2.2.Market size and forecast, by revenue model
9.2.7.2.3.Market size and forecast, by Platform
9.2.7.2.4.Market size and forecast, by End-user
9.2.7.2.5.Market size and forecast, by content type

9.2.7.3.MEXICO

9.2.7.3.1.Market size and forecast, by service
9.2.7.3.2.Market size and forecast, by revenue model
9.2.7.3.3.Market size and forecast, by Platform
9.2.7.3.4.Market size and forecast, by End-user
9.2.7.3.5.Market size and forecast, by content type

9.3.Europe

9.3.1.Key market trends, growth factors, and opportunities
9.3.2.Market size and forecast, by Service
9.3.3.Market size and forecast, by Revenue Model
9.3.4.Market size and forecast, by Platform
9.3.5.Market size and forecast, by End-user
9.3.6.Market size and forecast, by Content Type
9.3.7.Market size and forecast, by Country

9.3.7.1.UK

9.3.7.1.1.Market size and forecast, by service
9.3.7.1.2.Market size and forecast, by revenue model
9.3.7.1.3.Market size and forecast, by Platform
9.3.7.1.4.Market size and forecast, by End-user
9.3.7.1.5.Market size and forecast, by content type

9.3.7.2.GERMANY

9.3.7.2.1.Market size and forecast, by service
9.3.7.2.2.Market size and forecast, by revenue model
9.3.7.2.3.Market size and forecast, by Platform
9.3.7.2.4.Market size and forecast, by End-user
9.3.7.2.5.Market size and forecast, by content type

9.3.7.3.FRANCE

9.3.7.3.1.Market size and forecast, by service
9.3.7.3.2.Market size and forecast, by revenue model
9.3.7.3.3.Market size and forecast, by Platform
9.3.7.3.4.Market size and forecast, by End-user
9.3.7.3.5.Market size and forecast, by content type

9.3.7.4.NETHERLANDS

9.3.7.4.1.Market size and forecast, by service
9.3.7.4.2.Market size and forecast, by revenue model
9.3.7.4.3.Market size and forecast, by Platform
9.3.7.4.4.Market size and forecast, by End-user
9.3.7.4.5.Market size and forecast, by content type

9.3.7.5.ITALY

9.3.7.5.1.Market size and forecast, by service
9.3.7.5.2.Market size and forecast, by revenue model
9.3.7.5.3.Market size and forecast, by Platform
9.3.7.5.4.Market size and forecast, by End-user
9.3.7.5.5.Market size and forecast, by content type

9.3.7.6.SPAIN

9.3.7.6.1.Market size and forecast, by service
9.3.7.6.2.Market size and forecast, by revenue model
9.3.7.6.3.Market size and forecast, by Platform
9.3.7.6.4.Market size and forecast, by End-user
9.3.7.6.5.Market size and forecast, by content type

9.3.7.7.REST OF EUROPE

9.3.7.7.1.Market size and forecast, by service
9.3.7.7.2.Market size and forecast, by revenue model
9.3.7.7.3.Market size and forecast, by Platform
9.3.7.7.4.Market size and forecast, by End-user
9.3.7.7.5.Market size and forecast, by content type

9.4.Asia-Pacific

9.4.1.Key market trends, growth factors, and opportunities
9.4.2.Market size and forecast, by Service
9.4.3.Market size and forecast, by Revenue Model
9.4.4.Market size and forecast, by Platform
9.4.5.Market size and forecast, by End-user
9.4.6.Market size and forecast, by Content Type
9.4.7.Market size and forecast, by Country

9.4.7.1.CHINA

9.4.7.1.1.Market size and forecast, by service
9.4.7.1.2.Market size and forecast, by revenue model
9.4.7.1.3.Market size and forecast, by Platform
9.4.7.1.4.Market size and forecast, by End-user
9.4.7.1.5.Market size and forecast, by content type

9.4.7.2.JAPAN

9.4.7.2.1.Market size and forecast, by service
9.4.7.2.2.Market size and forecast, by revenue model
9.4.7.2.3.Market size and forecast, by Platform
9.4.7.2.4.Market size and forecast, by End-user
9.4.7.2.5.Market size and forecast, by content type

9.4.7.3.INDIA

9.4.7.3.1.Market size and forecast, by service
9.4.7.3.2.Market size and forecast, by revenue model
9.4.7.3.3.Market size and forecast, by Platform
9.4.7.3.4.Market size and forecast, by End-user
9.4.7.3.5.Market size and forecast, by content type

9.4.7.4.SOUTH KOREA

9.4.7.4.1.Market size and forecast, by service
9.4.7.4.2.Market size and forecast, by revenue model
9.4.7.4.3.Market size and forecast, by Platform
9.4.7.4.4.Market size and forecast, by End-user
9.4.7.4.5.Market size and forecast, by content type

9.4.7.5.AUSTRALIA

9.4.7.5.1.Market size and forecast, by service
9.4.7.5.2.Market size and forecast, by revenue model
9.4.7.5.3.Market size and forecast, by Platform
9.4.7.5.4.Market size and forecast, by End-user
9.4.7.5.5.Market size and forecast, by content type

9.4.7.6.REST OF ASIA-PACIFIC

9.4.7.6.1.Market size and forecast, by service
9.4.7.6.2.Market size and forecast, by revenue model
9.4.7.6.3.Market size and forecast, by Platform
9.4.7.6.4.Market size and forecast, by End-user
9.4.7.6.5.Market size and forecast, by content type

9.5.LAMEA

9.5.1.Key market trends, growth factors, and opportunities
9.5.2.Market size and forecast, by Service
9.5.3.Market size and forecast, by Revenue Model
9.5.4.Market size and forecast, by Platform
9.5.5.Market size and forecast, by End-user
9.5.6.Market size and forecast, by Content Type
9.5.7.Market size and forecast, by Country

9.5.7.1.LATIN AMERICA

9.5.7.1.1.Market size and forecast, by service
9.5.7.1.2.Market size and forecast, by revenue model
9.5.7.1.3.Market size and forecast, by Platform
9.5.7.1.4.Market size and forecast, by End-user
9.5.7.1.5.Market size and forecast, by content type

9.5.7.2.MIDDLE EAST

9.5.7.2.1.Market size and forecast, by service
9.5.7.2.2.Market size and forecast, by revenue model
9.5.7.2.3.Market size and forecast, by Platform
9.5.7.2.4.Market size and forecast, by End-user
9.5.7.2.5.Market size and forecast, by content type

9.5.7.3.AFRICA

9.5.7.3.1.Market size and forecast, by service
9.5.7.3.2.Market size and forecast, by revenue model
9.5.7.3.3.Market size and forecast, by Platform
9.5.7.3.4.Market size and forecast, by End-user
9.5.7.3.5.Market size and forecast, by content type

CHAPTER 10:COMPETITION LANDSCAPE

10.1.Top winning strategies
10.2.Product mapping
10.3.Competitive dashboard
10.4.Competitive heat map
10.5.Key developments

10.5.1.Acquisition
10.5.2.Business Expansion
10.5.3.Product Launch

CHAPTER 11:COMPANY PROFILES

11.1.AMAZON, INC. (AMAZON MUSIC)

11.1.1.Company overview
11.1.2.Key Executives
11.1.3.Company snapshot
11.1.4.Product portfolio
11.1.5.Business performance
11.1.6.Key strategic moves and developments

11.2.ANGHAMI

11.2.1.Company overview
11.2.2.Key Executives
11.2.3.Company snapshot
11.2.4.Product portfolio
11.2.5.Key strategic moves and developments

11.3.APPLE, INC. (APPLE MUSIC)

11.3.1.Company overview
11.3.2.Key Executives
11.3.3.Company snapshot
11.3.4.Operating business segments
11.3.5.Product portfolio
11.3.6.R&D Expenditure
11.3.7.Business performance
11.3.8.Key strategic moves and developments

11.4.DEEZER

11.4.1.Company overview
11.4.2.Key Executives
11.4.3.Company snapshot
11.4.4.Product portfolio
11.4.5.Key strategic moves and developments

11.5.IHEARTRADIO

11.5.1.Company overview
11.5.2.Key Executives
11.5.3.Company snapshot
11.5.4.Operating business segments
11.5.5.Product portfolio
11.5.6.Business performance
11.5.7.Key strategic moves and developments

11.6.NETEASE, INC. (NETEASE CLOUD MUSIC)

11.6.1.Company overview
11.6.2.Key Executives
11.6.3.Company snapshot
11.6.4.Operating business segments
11.6.5.Product portfolio
11.6.6.R&D Expenditure
11.6.7.Business performance
11.6.8.Key strategic moves and developments

11.7.PANDORA MEDIA, LLC.

11.7.1.Company overview
11.7.2.Key Executives
11.7.3.Company snapshot
11.7.4.Operating business segments
11.7.5.Product portfolio
11.7.6.R&D Expenditure
11.7.7.Business performance
11.7.8.Key strategic moves and developments

11.8.SPOTIFY AB

11.8.1.Company overview
11.8.2.Key Executives
11.8.3.Company snapshot
11.8.4.Operating business segments
11.8.5.Product portfolio
11.8.6.R&D Expenditure
11.8.7.Business performance
11.8.8.Key strategic moves and developments

11.9.TENCENT MUSIC ENTERTAINMENT

11.9.1.Company overview
11.9.2.Key Executives
11.9.3.Company snapshot
11.9.4.Product portfolio
11.9.5.R&D Expenditure
11.9.6.Business performance
11.9.7.Key strategic moves and developments

11.10.TIDAL

11.10.1.Company overview
11.10.2.Key Executives
11.10.3.Company snapshot
11.10.4.Product portfolio
11.10.5.Key strategic moves and developments

LIST OF TABLES

TABLE 01.GLOBAL ONLINE MUSIC STREAMING, BY SERVICE, 20192027 ($MILLION)
TABLE 02.ONLINE MUSIC STREAMING MARKET FOR ON-DEMAND STREAMING, BY REGION, 20192027 ($MILLION)
TABLE 03.ONLINE MUSIC STREAMING MARKET FOR LIVE STREAMING, BY REGION, 20192027 ($MILLION)
TABLE 04.GLOBAL ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 20192027 ($MILLION)
TABLE 05.ONLINE MUSIC STREAMING MARKET FOR SUBSCRIPTION, BY REGION, 20192027 ($MILLION)
TABLE 06.ONLINE MUSIC STREAMING MARKET FOR NON-SUBSCRIPTION, BY REGION, 20192027 ($MILLION)
TABLE 07.GLOBAL ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 20192027 ($MILLION)
TABLE 08.ONLINE MUSIC STREAMING MARKET FOR APP, BY REGION, 20192027 ($MILLION)
TABLE 09.ONLINE MUSIC STREAMING MARKET FOR BROWSER, BY REGION, 20192027 ($MILLION)
TABLE 10.GLOBAL ONLINE MUSIC STREAMING MARKET, BY END-USER, 20192027 ($MILLION)
TABLE 11.ONLINE MUSIC STREAMING MARKET FOR INDIVIDUAL, BY REGION, 20192027 ($MILLION)
TABLE 12.ONLINE MUSIC STREAMING MARKET FOR COMMERCIAL, BY REGION, 20192027 ($MILLION)
TABLE 13.GLOBAL ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 20192027 ($MILLION)
TABLE 14.ONLINE MUSIC STREAMING MARKET FOR AUDIO, BY REGION, 20192027 ($MILLION)
TABLE 15.ONLINE MUSIC STREAMING MARKET FOR VIDEO, BY REGION, 20192027 ($MILLION)
TABLE 16.GLOBAL ONLINE MUSIC STREAMING MARKET, BY REGION, 20192027 ($MILLION)
TABLE 17.NORTH AMERICA ONLINE MUSIC STREAMING MARKET, BY SERVICE, 20192027 ($MILLION)
TABLE 18.NORTH AMERICA ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 20192027 ($MILLION)
TABLE 19.NORTH AMERICA ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 20192027 ($MILLION)
TABLE 20.NORTH AMERICA ONLINE MUSIC STREAMING MARKET, BY END-USER, 20192027 ($MILLION)
TABLE 21.NORTH AMERICA ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 20192027 ($MILLION)
TABLE 22.NORTH AMERICA ONLINE MUSIC STREAMING MARKET, BY COUNTRY, 20192027 ($MILLION)
TABLE 23.U.S. ONLINE MUSIC STREAMING MARKET, BY SERVICE, 20192027 ($MILLION)
TABLE 24.U.S. ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 20192027 ($MILLION)
TABLE 25.U.S. ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 20192027 ($MILLION)
TABLE 26.U.S. ONLINE MUSIC STREAMING MARKET, BY END-USER, 20192027 ($MILLION)
TABLE 27.U.S. ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 20192027 ($MILLION)
TABLE 28.CANADA ONLINE MUSIC STREAMING MARKET, BY SERVICE, 20192027 ($MILLION)
TABLE 29.CANADA ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 20192027 ($MILLION)
TABLE 30.CANADA ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 20192027 ($MILLION)
TABLE 31.CANADA ONLINE MUSIC STREAMING MARKET, BY END-USER, 20192027 ($MILLION)
TABLE 32.CANADA ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 20192027 ($MILLION)
TABLE 33.MEXICO ONLINE MUSIC STREAMING MARKET, BY SERVICE, 20192027 ($MILLION)
TABLE 34.MEXICO ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 20192027 ($MILLION)
TABLE 35.MEXICO ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 20192027 ($MILLION)
TABLE 36.MEXICO ONLINE MUSIC STREAMING MARKET, BY END-USER, 20192027 ($MILLION)
TABLE 37.MEXICO ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 20192027 ($MILLION)
TABLE 38.EUROPE ONLINE MUSIC STREAMING MARKET, BY SERVICE, 20192027 ($MILLION)
TABLE 39.EUROPE ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 20192027 ($MILLION)
TABLE 40.EUROPE ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 20192027 ($MILLION)
TABLE 41.EUROPE ONLINE MUSIC STREAMING MARKET, BY END-USER, 20192027 ($MILLION)
TABLE 42.EUROPE ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 20192027 ($MILLION)
TABLE 43.EUROPE ONLINE MUSIC STREAMING MARKET, BY COUNTRY, 20192027 ($MILLION)
TABLE 44.UK ONLINE MUSIC STREAMING MARKET, BY SERVICE, 20192027 ($MILLION)
TABLE 45.UK ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 20192027 ($MILLION)
TABLE 46.UK ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 20192027 ($MILLION)
TABLE 47.UK ONLINE MUSIC STREAMING MARKET, BY END-USER, 20192027 ($MILLION)
TABLE 48.UK ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 20192027 ($MILLION)
TABLE 49.GERMANY ONLINE MUSIC STREAMING MARKET, BY SERVICE, 20192027 ($MILLION)
TABLE 50.GERMANY ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 20192027 ($MILLION)
TABLE 51.GERMANY ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 20192027 ($MILLION)
TABLE 52.GERMANY ONLINE MUSIC STREAMING MARKET, BY END-USER, 20192027 ($MILLION)
TABLE 53.GERMANY ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 20192027 ($MILLION)
TABLE 54.FRANCE ONLINE MUSIC STREAMING MARKET, BY SERVICE, 20192027 ($MILLION)
TABLE 55.FRANCE ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 20192027 ($MILLION)
TABLE 56.FRANCE ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 20192027 ($MILLION)
TABLE 57.FRANCE ONLINE MUSIC STREAMING MARKET, BY END-USER, 20192027 ($MILLION)
TABLE 58.FRANCE ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 20192027 ($MILLION)
TABLE 59.NETHERLANDS ONLINE MUSIC STREAMING MARKET, BY SERVICE, 20192027 ($MILLION)
TABLE 60.NETHERLANDS ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 20192027 ($MILLION)
TABLE 61.NETHERLANDS ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 20192027 ($MILLION)
TABLE 62.NETHERLANDS ONLINE MUSIC STREAMING MARKET, BY END-USER, 20192027 ($MILLION)
TABLE 63.NETHERLANDS ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 20192027 ($MILLION)
TABLE 64.ITALY ONLINE MUSIC STREAMING MARKET, BY SERVICE, 20192027 ($MILLION)
TABLE 65.ITALY ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 20192027 ($MILLION)
TABLE 66.ITALY ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 20192027 ($MILLION)
TABLE 67.ITALY ONLINE MUSIC STREAMING MARKET, BY END-USER, 20192027 ($MILLION)
TABLE 68.ITALY ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 20192027 ($MILLION)
TABLE 69.SPAIN ONLINE MUSIC STREAMING MARKET, BY SERVICE, 20192027 ($MILLION)
TABLE 70.SPAIN ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 20192027 ($MILLION)
TABLE 71.SPAIN ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 20192027 ($MILLION)
TABLE 72.SPAIN ONLINE MUSIC STREAMING MARKET, BY END-USER, 20192027 ($MILLION)
TABLE 73.SPAIN ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 20192027 ($MILLION)
TABLE 74.REST OF EUROPE ONLINE MUSIC STREAMING MARKET, BY SERVICE, 20192027 ($MILLION)
TABLE 75.REST OF EUROPE ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 20192027 ($MILLION)
TABLE 76.REST OF EUROPE ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 20192027 ($MILLION)
TABLE 77.REST OF EUROPE ONLINE MUSIC STREAMING MARKET, BY END-USER, 20192027 ($MILLION)
TABLE 78.REST OF EUROPE ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 20192027 ($MILLION)
TABLE 79.ASIA-PACIFIC ONLINE MUSIC STREAMING MARKET, BY SERVICE, 20192027 ($MILLION)
TABLE 80.ASIA-PACIFIC ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 20192027 ($MILLION)
TABLE 81.ASIA-PACIFIC ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 20192027 ($MILLION)
TABLE 82.ASIA-PACIFIC ONLINE MUSIC STREAMING MARKET, BY END-USER, 20192027 ($MILLION)
TABLE 83.ASIA-PACIFIC ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 20192027 ($MILLION)
TABLE 84.ASIA-PACIFIC ONLINE MUSIC STREAMING MARKET, BY COUNTRY, 20192027 ($MILLION)
TABLE 85.CHINA ONLINE MUSIC STREAMING MARKET, BY SERVICE, 20192027 ($MILLION)
TABLE 86.CHINA ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 20192027 ($MILLION)
TABLE 87.CHINA ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 20192027 ($MILLION)
TABLE 88.CHINA ONLINE MUSIC STREAMING MARKET, BY END-USER, 20192027 ($MILLION)
TABLE 89.CHINA ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 20192027 ($MILLION)
TABLE 90.JAPAN ONLINE MUSIC STREAMING MARKET, BY SERVICE, 20192027 ($MILLION)
TABLE 91.JAPAN ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 20192027 ($MILLION)
TABLE 92.JAPAN ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 20192027 ($MILLION)
TABLE 93.JAPAN ONLINE MUSIC STREAMING MARKET, BY END-USER, 20192027 ($MILLION)
TABLE 94.JAPAN ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 20192027 ($MILLION)
TABLE 95.INDIA ONLINE MUSIC STREAMING MARKET, BY SERVICE, 20192027 ($MILLION)
TABLE 96.INDIA ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 20192027 ($MILLION)
TABLE 97.INDIA ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 20192027 ($MILLION)
TABLE 98.INDIA ONLINE MUSIC STREAMING MARKET, BY END-USER, 20192027 ($MILLION)
TABLE 99.INDIA ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 20192027 ($MILLION)
TABLE 100.SOUTH KOREA ONLINE MUSIC STREAMING MARKET, BY SERVICE, 20192027 ($MILLION)
TABLE 101.SOUTH KOREA ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 20192027 ($MILLION)
TABLE 102.SOUTH KOREA ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 20192027 ($MILLION)
TABLE 103.SOUTH KOREA ONLINE MUSIC STREAMING MARKET, BY END-USER, 20192027 ($MILLION)
TABLE 104.SOUTH KOREA ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE, 20192027 ($MILLION)
TABLE 105.AUSTRALIA ONLINE MUSIC STREAMING MARKET, BY SERVICE, 20192027 ($MILLION)
TABLE 106.AUSTRALIA ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL, 20192027 ($MILLION)
TABLE 107.AUSTRALIA ONLINE MUSIC STREAMING MARKET, BY PLATFORM, 20192027 ($MILLION)
TABLE 108.AUSTRALIA ONLINE MUSIC STREAMING MARKET, BY END-USER, 20192027 ($MILLION)
TABLE 109.AUSTRALIA ONLINE MUSIC STREAMING MARKET, BY CONT

 

Segmentation

Key Market Segments

By Service

  • On-demand Streaming
  • Live Streaming

By Revenue Model

  • Subscription
  • Non-subscription

By Platform

  • App
  • Browser

By End User

  • Individual
  • Commercial

By Content Type

  • Audio
  • Video

Major Companies

  • Amazon Inc.
  • Anghami
  • Apple, Inc.
  • Deezer
  • iHeartRadio
  • NetEase 
  • Pandora Media
  • Spotify AB
  • Tencent Music Entertainment
  • Tidal
  • Others

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Free Company Inclusion 

We give you an option to include 3-4 additional company players of your choice in our report without any extra charges

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Unlimited post sales service with an account manager dedicated to making sure that all your needs are met

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